For his new show at the gallery, NIKO LUOMA (*1970, Helsinki) chose the title ''Down the Impassible Rivers''. This quote stems from Arthur Rimbaud's poem ''Bateau Ivre, 1871'' (The Drunken Boat, translated into English by Wallace Fowlie). Rimbaud uses strong autobiographic epigrams and surreal images to address the universal theme of ''liberation by loss''. The lyrical work is full of metaphors and illustrative descriptions of colour and light. In a way it is an adaptation of another great French poem, ''Voyage'' by Charles Baudelaire. NIKO LUOMA's new works are adaptations as well, as he paraphrases some of art history's greatest master pieces: Pablo Picasso's Flowers (the Tate Gallery's frst acquisition of a work by Picasso, in 1933), Odilon Redon's Bucket of Flowers, Vincent van Gogh's Chair with Pipe, the Renaissance sculpture The Rape of the Sabine Women by Giambologna and the famous pool paintings by David Hockney are the source and origin of his abstract works.

The artist starts his elaborate work process of exploring the model by sketching it on paper: lines, planes and overlapping shapes begin to form. NIKO LUOMA creates a stencil out of each sketch which he then places, one at a time in front of his studio camera and exposes it to coloured lighting, before taking a photo. This procedure is repeated with many diferent compositions of colour and shape until a pattern of irregular, overlapping colour felds emerges on the negative. ''Light is matter. I capture light and manifest it by using stencils. I build the negatives layer by layer, exposure by exposure on a single negative'', says the artist, describing his technique. Multiple exposures and the process of fixating the fgure on to the photosensitive substrate make time a crucial factor in the creation of the works.

NIKO LUOMA